イケガミ シンペイ
IKEGAMI Shimpei
池上 真平 所属
人間社会学部 心理学科
生活心理研究所 所属教員
職種
准教授
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発表年月日 | 2016/12/02 |
発表テーマ | Effects of swing position in one measure on the feeling of musical rhythm: Examination using the rhythm dividing every beat |
発表学会名 | 5th Joint Meeting Acoustical Society of America and Acoustical Society of Japan |
主催者 | Acoustical Society of America and Acoustical Society of Japan |
学会区分 | 国際学会 |
発表形式 | ポスター |
単独共同区分 | 共同 |
国名 | アメリカ合衆国 |
開催地名 | Hawaii |
発表者・共同発表者 | Shimpei Ikegami & Sumi Shigeno |
概要 | This study examined the effects of a swing’s position in one measure on the feeling of musical rhythm. Every beat of the duple meter rhythm was divided into two parts. Four conditions of the swing’s position were prepared: the “every-beat swing,” the “odd-beat swing” (the swing’s position being the first beat), the “even-beat swing” (the swing’s position being the second beat), and the “no swing” conditions. This study had 114 participants listening to musical rhythms presented with Scheffé's paired-comparison method and rated the degree of “wanting to move the body” and “pleasantness.” The results showed that the “every-beat swing” condition got the highest rating scores for a feeling of “wanting to move the body.” We consider that the partial presence of swing, irrespective of the swing’s position, might hardly allow listeners to attune to the rhythm of duple meter music. |